INTRODUCTION |
3 |
RHYTHM CELLS |
|
Speaking the Bols Clearly |
5 |
Shorthand Notation |
5 |
Duration of Each Cell |
6 |
A "Non-Metric" Perspective |
7 |
"Flow without Measure:" Cell Exercises to the "Beat" |
7 |
Series Succession |
8 |
Series Combinations |
8 |
A Bridge to Carnatic Rhythm |
9 |
GRID OF TIME |
9 |
Arrows of 8 |
10 |
Other 8-beat Combinations |
12 |
Duplicating Numbers to Equal 8 |
13 |
MATH AND COUNTING THEORY |
|
The Abacus of Time in Indian Music |
14 |
Number Locations |
15 |
What Happened to "0"? |
16 – 17 |
YIN & YANG LETTER PAIRS |
18 |
REFLECTION AND TIME OUT |
20 |
Stages of Development |
21 |
BUILDING METRIC STRUCTURES |
21 |
Meters in 5 |
22 |
Meters in 6 |
23 – 24 |
Meters in 7 |
25 – 27 |
Meters in 9 |
28 – 29 |
Meters in 10 |
30 – 31 |
Meters in 11 |
32 |
Process vs. Product |
34 |
CELL INVERSION |
35 |
Assimilation |
36 |
Practical Examples |
37 |
"HARMONIC TIME" |
37 |
Stepping to Any Phrase or Meter |
38 – 39 |
Off-Beat Clap |
40 – 41 |
APPLICATION OF A-RHYTHM-ETIC |
|
Theory vs. Practice |
42 |
Tabla "Rela" Built Using Familiar Cells |
43 – 48 |
CONCLUSION |
49 – 51 |
BIBLIOGRAPHY |
52 – 54 |